Valley Piper

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Of all the reasons you'll click the Add to Shopping Cart button next to Baby Einstein's Baby Mozart--and there are many--the best one is that playing this record for babies doesn't feel weird. Instead of subjecting tiny, tender ears to the kind of Mozart that can make adult classical fans wilt when tackled by a maestro who means business, this is Mozart lite, mixed and mastered by a dad, Bill Weisbach, who's clearly hung around for his share of crib-side cooing...

CONTENTS: FUN WITH MUSIC, OLD MACDONALD HAD A FARM, THE LEPRECHAUN WITH THE FLUTE, THE HOUSE THAT JACK BUILT, ANNETTE, THE LITTLE COW, ROY, ROY QUICK ON THE DRAW, THE SHE SONG, WHEN I GROW UP, THE TELEPHONE SONG, THE PENCIL SONG, GET BUSY, SHO-JO-JI, THE BRITISH GRENADIER, SMILE AND FACE THE MUSIC, HI TO YOU, THE BOY AT THE DIKE, ALONE AT CONEY ISLAND, THE FRIENDLY FARMER, COOKING WITH MINNIE MOUSE, BON JOUR PAREE, DO-MI-SO, IF YOU'RE HAPPY, OLD MACDONALD HAD A TREE, HEY, CUBBY BOY, BANJO JOE, KAREN, SCHNITZELBANK, ROLLIN' STONE, GOOD SAMARITAN

Not to be confused with the collection Songs Inspired by the Chronicles of Narnia, this album is Harry Gregson-Williams's instrumental score for the movie. Marking the composer's third collaboration with director Andrew Adamson (after both Shrek flicks), this score also is one of the more mature offerings from Gregson-Williams, best known for his work on family films...

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Disney's pioneering 1982 effort in computer animation has garnered a small but devoted cult audience, despite--or perhaps because of--its now-dated, rudimentary vid-game aesthetic. But while designers Jean Giraud and Syd Mead gave its visual design a certain streamline moderne panache, its musical score attempts a similar back-to-the-future fusion with somewhat more mixed results...